Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Nanteuil, Robert
Portrait of Louis XIV, King of France

ID: 19601

Nanteuil, Robert Portrait of Louis XIV, King of France
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Nanteuil, Robert Portrait of Louis XIV, King of France


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Nanteuil, Robert

French, 1623-1678 French engraver, draughtsman and pastellist. He was the son of Lancelot Nanteuil, a wool merchant, and submitted his thesis in philosophy, for which he engraved the headpiece, at the Jesuit College of Reims, in 1645. He went on to work in the studio of Nicolas Regnesson, whose sister he married in 1646, before moving to Paris in 1647. His early work mainly consisted of portrait drawings in black lead on parchment (e.g. Paris, Louvre), and he continued to draw throughout his career. He took 155 of his 221 portraits directly from life. His drawing style was influenced by Philippe de Champaigne, and he based his engraving technique on the work of Claude Mellan and Jean Morin.   Related Paintings of Nanteuil, Robert :. | Portrait of Lady | Mount Chimborazo | Indianer | Sts Paul, Francis and Jerome | Poster Advetising Sterilized Milk |
Related Artists:
Pietro Lorenzetti
Italian Byzantine Style Painter, ca.1280-1348
Benjamin Samuel Bolomey
painted Portrait of Wilhelmina of Prussia (1751-1820), Princess of Orange in 18th century
FERNANDES, Vasco
Portuguese painter (active 1500-1542 in Viseu) Portuguese painter. He was the leading painter of northern Portugal during the first half of the 16th century, and it is probable that he received his training abroad. Fernandes is the best-documented Portuguese artist of the period; there are nearly 100 works attributed to him, some of which are securely documented and record his activity either alone or in collaboration with the Viseu painter GASPAR VAZ. Fernandes's most important work was carried out in Lamego and in Viseu, where the term Gr?o ('Great') used in praise of him is first recorded (Ribeiro Botelho Pereira). In 1753 the Director of the Dresden Gallery, Pietro Guarienti, first used the epithet when he referred to Fernandes by the name of Gran Vasco. The many myths about the painter and his work developed from this date and were not clarified until 1846






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